右狗钢铁直男的浪漫晚年风格上当然是非典型林奇不过主题上却是非常林奇的:对右狗来说Y18_XXXXXL呈现当代生活的邪恶和病态当然重要但世俗家庭是通往救赎的必经之路(《人妻JAPAN HD XXXX VIDEOS》以爱和家庭超克罪和个人自由)可以援引一点点查尔斯·泰勒对新教徒来说俗世生活的天职和家庭构成遵循上帝的首要性经此平凡被神圣化了(“我们在自己的平凡生活里过活在自己的天职里工作在凡俗时间里维系自己的家庭”)
It's all very pretty and moving, but it seems Petzold has the same tendency as his fellow European filmmakers born in postwar Europe of subsuming the complexity of historicity under preposterous melodrama and sentimentality...Nina Hoss is such a good actress though.